I've always admired how a really dark background can bring out an object so well. So many Old Masters used that device. I've only recently begun experimenting with backgrounds this dark.
I've always loved the textures and colors that one finds in old walls in places that have been frequently repainted and exposed to a lot of sun, like the walls in Latin America or Morocco. Layers of hues, randomly exposed, sandy, crumbly textures... The Husband and I have soooooo many beautiful photos of walls, doors, and windows from Latin America and Morocco that someday (that elusive "someday") we need to make into a book or at least a calendar or something... More art on my website: jalapfaff.com
I'm fascinated by abstract expression, minimalism, or whatever else one might one to call it--artists like Rothko, Diebenkorn, Albers, Frankenthaler, Barnett Newman, Brice Marden.... And Agnes Martin. Years ago, I stumbled across a small exhibition of her work while in Santa Fe, and, funny, it didn't do anything for me at the time. Isn't it interesting how much our art taste can change? And then other stuff, you see it once and absolutely resonate with it, and that fierce love for it never wavers.
I created this piece, in graphite and pastel, after looking at and admiring a whole lot of Agnes Martin's work, unfortunately only images in books and online, not live. I'm enamored of the subtlety of her work.
Persimmons are in the grocery store right now. I've always loved the subtle, beautiful colors of them; this is my first time painting one.
Lisa Towers, I hope you don't mind my quoting you here (and your persimmons painting is gorgeous), but this is too funny. You all must read the most hilarious art blog in the world, that of Bill Jones and Lisa Towers (see the link On Painting). Lisa's words: "When I was a kid, growing up in Tuscaloosa, Alabama, one of the worst dares you could make to another kid was to take a bite out of an unripe persimmon. Ain't a weed smokin' rastafarian on earth that knows cotton mouth worse than that." More art on my website: jalapfaff.com
Our art materials instructor, Michelle Philip, a year or two ago, had us make pastels by hand. It was really fun, though a lot of physical (hand, wrist, arm) labor, too--kind of like dealing with a really stiff bread dough. At the time we made them, I had never used pastels before, and I made these really funky, ultimately somewhat unusable shapes. Michelle had a good laugh when she saw them. They turned out beautifully, in terms of texture, softness, and color, if not in form. More art on my website: jalapfaff.com
I'm a painter (and writer and Spanish instructor) living in beautiful Boulder, Colorado. I studied classical art in an ARC (Art Renewal Center) school, Colorado Academy of Art, full-time for two years, in order to benefit from the rigorous atelier-style training. I am currently dedicated to exploring abstract and semi-abstract art, working in oil and also in soft pastel. I firmly believe that all human beings are creative, whether or not they have yet found an outlet for the innate creative urge, and that the creative arts are the highest form of human expression. Email me at: jala[at]jalapfaff.com
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