Showing posts with label weaving center. Show all posts
Showing posts with label weaving center. Show all posts

Tuesday, September 27, 2011

Night moon


Pastel on Sennelier LaCarte, approx. 4" x 9".

Been a while since I did a moon. This is called "Night Moon"--redundant title? Not really, because the last couple of moons I did were Day Moons. Oh, and there was a Solstice Eclipse one too.
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I love the special bond between Rumi and Gadjo. From the moment they met, they were two peas in a pod. And they still are.


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In India, at the weaving cooperative.

Don't forget, these next two weekends are Open Studios here in Boulder. Come visit me if you're in town. I'm Studio #92 this year.

This Friday night is the reception at the Boulder Public Library, 6 -8 pm--see one piece from each of the 129 participating artists.


More art on my website: jalapfaff.com

Saturday, December 18, 2010

Photos from the weaving center...and Animolecules To Go

See, I knew I shouldn't have said anything about how mild and dry the winter was so far...because as soon as I did, it got cold and snowy. And you know how fun it is to walk dogs in the cold when you have the flu? Really fun.

I am actually just starting to feel better. Today was the best day so far in terms of symptoms.


A few pics from the weaving center in Hyderabad, India:







The Husband has gone back to India to try to get things happening for the biz over there. Before he left, I gave him a little box full of "animolecules to go." It was for his birthday (in November), but it turned out to be quite a project and took until last week to finish.



First I made six of them, each in his or her characteristic pose (we have seven animolecules total) out of Sculpey because I had some around. Then I realized I didn't want to have toxic fumes in the toaster oven, so I went back to the art store and got some kind of clay with god-knows-what-toxic-crap added that would self-harden in the air without any kiln/baking required but that wouldn't get crumbly when dry, the way pure clay would.



I have to say, the stuff lived up to its claim. However, what the package didn't tell you was that you have about ten minutes to make your piece before it starts to irrevocably harden. Only ten minutes per animolecule! So can I use that as my excuse as to why they're not perfect?



After they dried completely (within hours!) they became really strangely heavy, like lead weights. I wasn't expecting that either. And since they were for The Husband to carry on his travels, I just added a couple of pounds to his luggage. Oh well.



Then after drying, I had to use PVA size on them to seal them, since as there was at least some real clay, they would be porous. Waited a few days for that to dry, then did a layer of oil primer. Waited about a week for that to dry, then finally got to the painting part. (The sealing and priming was so that I could use oil paint on them.) That was quite fun, though it was hard to paint the whole figure without holding on to, say, little ears, and then how to paint the ears without touching any other part of the body?



They were painted in all earth colors except for Mojito's tennis ball, since that's not a natural object anyway. I have to say, doing the Gadjo figure was the most fun. So small! I actually had wanted all the figures to be even tinier, to make traveling with them easier, but Gadjo was definitely as small as I could make one. They're all correct relative sizes.

More art on my website: jalapfaff.com

Sunday, September 19, 2010

More pics from the small Indian weaving center

Okay, I know "y'all" wanted to see some more photos from the weaving center. (Note the bicycle-wheel spooling equipment!)








I saw this guy on a break, smoking, and went to take a photo of him. But when I got there, he had already stopped. Then his buddy there in the white T-shirt noticed what I wanted, and told the guy to start smoking again for me to take a photo. He started smoking so fast that right after I took the pic, he started choking and that made him and his buddy crack up. Funny guys.

More art on my website: jalapfaff.com

Friday, September 17, 2010

At a small Indian weaving center






A very long car ride through a maze of traffic, noise, pollution, and rough outskirts of the city of Hyderabad, India, will (if your taxi driver can find it) bring you to a handloom weaving center run by a proud man with only a first-grade education, who impressively invents and maintains all his own equipment from scrap parts and whatever else his astonishing ingenuity can come up with. (Those are his hands in the top photo.)

Leaving tomorrow for Patna to visit relatives of The Husband, and then Bhagalpur to visit a rural natural-dyeing center. Wish me luck to continue to survive the traffic.


Thank you all so much for your comments and support on my last post!

More art on my website:
jalapfaff.com