Showing posts with label cold wax. Show all posts
Showing posts with label cold wax. Show all posts

Sunday, May 30, 2010

Horse


This is the first oil + cold wax painting I've completed. It's 12" x 12", on museum panel. Every new layer is usually an entirely new incarnation, which I find a strange painting experience. (This one had maybe ten layers.) I have several other oil + cold wax paintings in progress. "...In progress" meaning I don't like any of them at all so far...meaning, I need to keep putting on more layers until they improve.


Sold.



My crazy boy. He really knows how to infuse style into his naps.





More art on my website: jalapfaff.com

Wednesday, May 19, 2010

Making a mess


No paintings to show today... I've been doing a lot of experimenting with multi-layered painting in oil and cold wax over the last month or two. I am very excited to take a workshop this August in Longmont, CO, from someone whose minimalist, abstract artwork (done with this medium) I really admire: Rebecca Crowell. She often uses several panels painted individually to create, eventually, a large painting made from the panels clamped (permanently) together. I have many panels in progress right now (they may remain individual paintings, I don't know yet) but so far it's a huge amount of experimenting, and a daily gigantic mess (see above photo)! and lots of interesting learning...but nothing yet to show.

Painting with oil and cold wax: cold wax medium is something you can buy (Gamblin or Dorland's). It gets mixed with oil paint in varying quantities, and then it's just pure play, creating texture and usually with quite a few layers. You want to use a rigid support. Rebecca Crowell also frequently uses solvent to dissolve some layers too, partially or otherwise, to create interesting effects. See her work at the link above. I find it absolutely stunning. (Her video is pretty cool to watch, too.)

I have briefly tried encaustic (oil + hot wax) in the past but don't want to deal with the fumes and heat. This is a very nice alternative (although for those who definitely want inclusions--paper or collage items--in their painting, encaustic would be your choice).

If you like Rebecca Crowell's work and want to take her workshop in August, please sign up soon, via her website.




We're often greeted by this snout (Mojito's) under the gate.




Rumi kills me. He really, really does.


More art on my website: jalapfaff.com