Untitled 47

There's a big problem with this whole art blogging thing! The more you do it, the more great blogs you discover, the more time you spend looking at other blogs with other great art, the more links you add to your blogroll...is all wonderful and marvelous...but the more people you want to keep blog-visiting means the time you can spend looking gets more and more diluted...and the more time you spend visiting blogs and enjoying them and getting cool ideas, the less time you spend actually creating your own art (and keeping up on your own blog). And the more popular you get on your own blog, the less time you have to keep up with responding to the comments, every single one of which is gratefully, heartfelt-ly received.

It's crazy. And it's the great irony of the awesome new power of art blogging and linking.

But these two aren't wasting any brain power worrying about it...

Miss Lemon's perpetual nurturing of kittens always touches me.

A couple more India photos...

$115.00 - Untitled 47 (Ready to Frame)

More art on my website: jalapfaff.com

Mediterranean I

Done a ways back but posting it now... In person, the dark blue is more blue-violet, and the turquoise above it is very vibrant.

Sold

More art on my website: jalapfaff.com

Lemon that was not "a lemon"

I live for painting experiences like this one (in fact, it may be the very first one). I looked at the subject, thought about what I wanted to do, concentrated on keeping the shadows transparent and warm and the lights opaque, and swoosh swoosh swoosh, in half an hour it was done. I stood there in front of the easel, so startled and disbelieving that it could have gone so easily and smoothly.

And then, of course, I decided it couldn't possibly be true, and so I had to go and mess with some of the shadow that had been perfect, and then it took me 15 or 20 minutes to get things back to good again. 

It was a fantastic painting experience. I'm not naive enough (not anymore, anyway) to think it'll go that way "from now on," but it was like a glimmer of hope that at least sometimes it can go well and feel so satisfying.

I read somewhere about a famous artist and art teacher (maybe someone out there will remember who) who "distrusted anything that came too easily." I feel exactly the opposite way. At least in my experience, what comes most easily and intuitively tends to be the best work, and the more one messes with it and fusses with it and thinks about it too much, the less true and powerful a statement it becomes.

$115.00 - Lemon (Ready to Frame)

More art on my website: jalapfaff.com